Twelve months ago, the production team began giving camera phones to people attempting to reach Europe, escaping war, poverty or persecution. They were prepared to film where regular film crews could not go: on the inflatable dinghies crossing from Turkey to Greece, in the back of lorries entering the Eurotunnel, or on open trucks driven by people smugglers across the Sahara.
Twelve months ago, the production team began giving camera phones to people attempting to reach Europe, escaping war, poverty or persecution. They were prepared to film where regular film crews could not go: on the inflatable dinghies crossing from Turkey to Greece, in the back of lorries entering the Eurotunnel, or on open trucks driven by people smugglers across the Sahara.